Radix Copycast Episode 16 – Can copywriters abandon Microsoft Word?

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eBooks, infographics, video scripts, scrolling sites: each year seems to increase the variety of B2B content types that need copy. Never before have designers and copywriters been brought so closely together (as discussed in episode 9).

Microsoft Word has been the copywriter’s tool of choice for decades, but is it up to the challenge of modern and increasingly digital copywriting?

I’m joined by Fiona to discuss whether Word still rules, or whether newer writing tools (desktop or cloud-based) are in a position to replace it as the must-have software for copywriters.

Listen now to find out:

  • What copywriters and their clients really need from a word-processing tool
  • Alternatives to Word: could Google Docs, LibreOffice or Scrivener ever rule the roost?
  • Format-specific apps: how do tools like Celtx, Final Draft and Balsamiq stack up?
  • How to bring designers, freelancers, agencies and stakeholders into the same happy fold

… and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Music by Industrial and Marine.

Radix Copycast Episode 17 – Storytelling in B2B, the final frontier

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This episode is an update to and complements episode 3 of the Radix Copycast.

Storytelling seems to be climbing back up the agenda in content marketing, judging by the number of blog posts and articles we’ve seen recently. But what exactly do we mean by storytelling in marketing, and what kind of storytelling techniques can copywriters adopt?

Fiona and I welcome back television comedy writer James Henry (Green Wing, Smack the Pony, Campus), to talk about the structure of classic storytelling and how it can be adapted for content marketing.

Listen now to find out:

  • What ‘storytelling’ actually means in B2B marketing
  • How to create believable, empathetic characters
  • What it means to break down a three-act structure into 60 seconds of video
  • Which of the seven basic plots can be easily applied to B2B marketing

… and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Music by Industrial and Marine.

*The stardate was calculated using this website.

Radix Copycast Episode 20: Using emotion in B2B copy

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B2B and emotion aren’t often mentioned in the same sentence, but next month these strange bedfellows form the theme of the B2B Marketing conference.

And last year they were the subject of a major survey by CEB and Google, which revealed that emotion plays a surprisingly big role in B2B buying decisions.

So does this mean it’s time to start pulling on the heartstrings of B2B buyers? If so, how do you gauge when and where to get emotive in copy? And is it possible to take things too far?

Fiona is joined by David McGuire, MD of the B2B copywriting agency Lungfish, and associate writer here at Radix, to talk about why and how B2B marketers can best use emotion in marketing content.

Listen now to find out:

  • Why B2B marketing needs to get emotional
  • Which emotions marketers and copywriters should appeal to
  • How to bring more emotive language into your copy
  • Examples of B2B brands making great emotional connections
  • … and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Subscribe to our monthly newsletter for more copywriting tips and insights.

Music by Industrial and Marine.

Radix Copycast Episode 21: 10 trends that rocked B2B copywriting and content marketing in 2014

 

In 2014 we’ve seen predictions of an impending content shock, an increased appreciation for well written copy, stirrings of discontent with tried and tested formats (like eBooks) and a lot more play out in B2B marketing.

Overall, 70% of B2B marketers are creating more marketing content than they were a year ago. And as you’ll hear when we discuss the continued adoption of marketing automation – it definitely seems like brands are producing more content to feed their automation machines. But is this content always informative and interesting, and created with the customer in mind?

In this episode, Fiona and I analyse 10 copywriting and content marketing trends that have rocked B2B this year. And not all of them may be with us in 2015.

Listen now to find out:

  • How native advertising turned audiences against it
  • What Google’s continuing algorithm changes mean for copywriters
  • Why better storytelling techniques mean better B2B videos
  • Why more marketers are appreciating the value of good copy
  • The benefits of customer focused content

… and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Alternatively: add our RSS to your preferred podcast player.

Music by Industrial and Marine.

Useful links

BrightTalk: The CMO Content Marketing Show

Radix: Is it game over for native advertising?

Sophos: Your future self called: Zombies

Adobe: Mean Streets – Wife

Help – my client wants my copy to be “more sparkly”! What do I do?

We copywriters are sensitive souls. If you’re like me, your heart sinks when you’ve put a huge effort into writing something, only to have your client come back with seemingly-unhelpful feedback like It’s OK, but could you just make it a bit more sparkly?”

For “sparkly” you could also substitute “punchy”, “snappy”, “dynamic”, “energetic”, “vibrant”, “compelling” – or any of a huge number of adjectives that clients tend to use when they feel the existing copy isn’t up to scratch – but don’t quite know (or don’t have time) to articulate what needs to be changed.

(And before you get started, be sure to find out whether the client wants copyediting or a complete rewrite.)

So what does a client actually *mean* when they say they want your copy to be “more sparkly”? In my experience, it usually means you need to do one or more of these things:

1) Use shorter words and sentences

In B2B we’re usually promoting complex technologies and services that solve knotty business problems. That means we often end up writing very long sentences, using long, multi-syllabic words, to frame the business issue or to explain what the product or service does.

And while those sentences may be technically accurate, they’re not much fun to read.  When you only have a microsecond to get your reader’s attention, an opening gambit like: “In today’s difficult economic times, logistics managers are under increasing pressure to minimise transportation costs while ensuring faster order fulfilment times” isn’t really going to set pulses racing or leave your audience hungering for more.

It may be true, but it’s the kind of jargon-heavy, clichéd opening that a) has been written a thousand times before, and b) tries to say a lot of things in a short space, and consequently ends up saying nothing exciting or inspiring.

How to make it sparkle: Don’t try to say everything at once. Use shorter words and sentences. Pick a hot issue and lead with it. Talk to your audience directly (see tip 2 below). Appeal to their emotions. Make a bold statement. Lead with a question. Write in normal, conversational language. Lighten up a little bit!

Here’s a great example of sparkly copy from Xero, the cloud accounting system for small businesses:

Examples of content that sparkles img 1

Xero’s copywriters don’t waste time here telling business owners what they already know (“In today’s difficult economic times…”). They hit on a single issue (you need to see your cashflow in real time), use everyday conversational language to show how they help you do it, and add a bit of sparkle with three short, emotive adjectives, one of which is a little bit cheeky and unusual: “simple, smart and occasionally magical”.

BONUS TIP:  Most of us have been tempted at some point to start a sentence with “In today’s difficult economic times…” or a variant of it. My tip for overcoming this is: write it, then write what you were going to write after it, then go back and delete “In today’s difficult economic times”. I can guarantee your sentence will be shorter, less clichéd and will have exactly the same impact.

2) Write as though you’re talking to a real person

One of the big problems with B2B copy is that we often don’t have a clear idea of who we’re writing for. The brief may say that this ebook is for HR directors in midsize enterprises, but if you’ve never met an HR director from a midsize enterprise, it’s difficult to imagine what that person might be like. And if you can’t readily imagine them, it’s hard to know what makes them tick, or what tone to take with them. So more often than not, we’ll play it safe and use a formal, generic, “businessy” style, which doesn’t exactly fire wild enthusiasm in the heart of Debra Perkins, head of HR at Anyco.

How to make it sparkle: Get to know some real-life HR directors. If not in actual real life, then at least check out some LinkedIn Groups and see how they talk and what they talk about, read interviews in trade magazines or revisit some case study interviews.

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Check out LinkedIn Groups to see how real HR executives talk to one another.

If you have the time and the opportunity, get to know some HR directors in person, maybe by attending an industry event, chatting to a few people and paying attention to how people talk about their jobs, their aspirations and their frustrations. Then bring the tone, flavour and vocabulary of those real conversations back into your copy.  Rather than sounding like a corporate copy-bot, you’ll sound like a real human being, talking to other human beings about things that matter to them.

3) Use real-life examples

A lot of B2B copy is dull because it tells rather than shows. “Our end-to-end automation solution will significantly reduce your procure-to-pay cycle” is one way of talking about how good your software is, but it’s unlikely to have your audience springing from their swivel chairs in excitement.

How to make it sparkle: Cut the jargon and show what this means in the real world. “You can get new widgets on to your production line while your competitor is still looking around for a supplier”. Better still, use a real-life anecdote: “One company we worked with managed to claim £270,674 in early-payment discounts in the space of five months – more than covering the cost of the software.”

Showing, rather than telling – and using little stories to do so – is a great way to bring your copy to life and make it relevant and interesting to your audience.

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Even dense, technical copy can be lightened up with real-world examples and anecdotes.

4) Use metaphors and visual imagery

Lots of us on the B2B side of copywriting – myself included – think of ourselves as “explainers”, skilled in translating complex technical ideas into plain, understandable language.

(For more on the different types of B2B copywriter, see our previous post).

The problem is that plain, down-to-earth language can lack sparkle because its aim is to clarify, not to entertain.  But in a world stuffed with B2B content, drier, more academic-style copy will no longer stand out – especially not at the top of the funnel where you’re looking to capture attention for the first time.

How to make it sparkle: A great skill for “explainer”-style copywriters to learn is using metaphor, simile, analogy, cultural references and visual imagery to add sparkle to copy. If you can show what you’re talking about through the use of an original metaphor, your copy will make a more immediate impact and stand out far more – especially if you can work hand in hand with a designer to reinforce the idea.

Examples of content that sparkles img 3
This ebook brings a cheeky infernal metaphor to what could otherwise be quite a staid topic.

In truth there are many ways to make your copy sparkle, and it always pays to look around and learn from the best. But hopefully these four tips will set you on the right path to producing sparkly copy your clients will love.

Need someone to make your copy sparkle?

We’ve a team of copywriters ready with glitter pots in hand, so get in touch with us today.

Radix Copycast Episode 22: Five smart strategies to freshen up your B2B content

Wrapping up 2014, we began to realise something: what if content marketing begins to get stale in 2015, because no one is innovating – what if we all just end up following “best practice”? Steve articulated this best in our end of the year video on copy and content.

Research published in 2014 by the Content Marketing Institute and MarketingProfs has found that 86% of B2B marketers now use content marketing, with CMI now considering content marketing a “formal business discipline”.

The same research found little change between the content tactics being used by businesses in comparison to the previous year. The signs are there that B2B brands could become set in their ways after adapting to a way of marketing that is renowned for having challenged many traditional marketing assumptions.

In this episode, Fiona and I explain five tactics we can all use to help keep our content fresh and relevant for our audiences.

Listen now to find out:

  • Five ways you can start innovating with your content today
  • How to use free tools like Twine, Haiku Deck and AudioBoom to do something different
  • What you can do to freshen up existing content
  • How to look to your audience for inspiration
  • … and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Alternatively: add our RSS to your preferred podcast player.

Music by Industrial and Marine.

Useful links

Holger Schulze: B2B Content Marketing Spotlight Report

Radix: Help – my client wants my copy to be ‘more sparkly’! What do I do?

Radix Copycast Episode 23: What “intelligent content” means for B2B copywriters

 

Content marketing is on the move. The next stage in its evolution will be “intelligent” content, according to Joe Pulizzi of the Content Marketing Institute, and a host of other luminaries slated to speak at next month’s Intelligent Content Conference in San Francisco.

According to Noz Urbina, one of the leading lights of the intelligent content movement:

“We need to think of language at the level of “systems”, not words or pages. Intelligent content is free from format, rich in semantic and structural metadata, and automation-system-ready.”


It seems that intelligent content is content that adapts itself on the fly to the needs and wishes of the person consuming it. It’s guided partly by what the user is doing at the moment of consuming the content, partly by the device they’re using, and partly by what the content delivery platform already ‘knows’ about the user and what they’ve done previously.

What does it mean for writers?

For the people writing content that’s destined to be adaptive, we think it will lead to some big changes in mindset and approach.

As Noz Urbina says above, adaptive content is “free from format”. Writers can no longer assume their words will be consumed in a linear fashion, with the user starting at the beginning and following the writer’s narrative thread to the end. Instead, individual users will take different paths through the content, depending on where they are, what they’re doing and what they’re interested in.

The difference between writing traditional content and writing adaptive content may therefore be like the difference between writing a novel or screenplay, and writing a choose-your-own-adventure book or videogame. In all cases, there is a story, but in the latter formats, the user selects the narrative path, rather than the writer.

For more on the challenges we think intelligent/adaptive content will present for copywriters and B2B marketers, listen to the podcast as we discuss:

  • How copywriting practices and business models will need to change
  • How it will affect collaboration between writers, designers and marketers
  • Whether writing apps like MS Word are still fit for purpose
  • What you can do practise creating non-linear content
  • … and more!

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Alternatively: add our RSS to your preferred podcast player.

Music by Industrial and Marine.

Mentioned this episode

2014: The year social content dominated B2B technology marketing?

How to write an ebook for a B2B audience

If you’re responsible for B2B marketing, you’ll probably have been asked at least once to write an ebook. And no wonder; they’re useful top-of-funnel and middle-of-funnel content pieces that can educate potential buyers about issues they’re not currently aware of, or to show them how to tackle an issue they are aware of.

But with so many ebooks competing for attention, how do you write a good one? Here’s a guide to help you produce a strong first draft.

What is an ebook?

Ebooks are often confused with B2B white papers – and that’s understandable. They’re both substantial, informative content pieces that sit in the middle of the funnel – where they’re occasionally gated for lead generation. John wrote a whole blog post about telling the difference, but in short an ebook is generally a little less detailed, with fewer words on the page (and they look prettier).

In B2B marketing terms, an ebook is usually around 2,000-2,500 words long, with artwork and graphical elements that break up the text. And the tone is usually lighter than a white paper: accessible, fun, and conversational, with snappy headlines and subheaders to introduce the key sections and points.

Three hallmarks of a great ebook

59% of companies created an ebook (or white paper) in 2022, so writing one that stands out from the crowd can be difficult. But it’s not impossible.

There are three things that characterise a great ebook – and only one of them is down to the writing itself.

Hallmark #1: Audience insight

The first hallmark of a great ebook – and any great B2B content piece – is that it shows an understanding of your audience, what matters to them, and what they need from your content.

To make an impact, the ebook should pack an emotional as well as a rational punch, and it’s hard to make an emotional connection with your reader if you don’t know who you’re writing for.

This is especially important if it’s a top-of-funnel ebook. Here, you’re trying to make your reader aware of a problem or opportunity they don’t currently know they have. To do that, you need to be able to relate your subject to something the audience does know and care about. That takes research, careful questioning of subject matter experts, and (ideally) a persona or avatar to work from.

Hallmark #2: Genuine usefulness

A great ebook also brings the reader useful, practical, actionable, and unique information they can’t get elsewhere, which genuinely helps them do something they want or need to do.

Ideally, this information should be so useful (and hard to find elsewhere) that the reader will feel compelled not just to act on it, but to share it too.

Getting to that level of usefulness and uniqueness is extremely hard, but if you can find your content “sweet spot” – the intersection of “information you have” and “information your audience needs” – it becomes easier to do.

ebook image diagram showing blue and yellow circles crossing in the middle to form a green segment

Hallmark #3: Great writing

The third and final hallmark of a great ebook is the writing itself. Reading it should be an enjoyable, enlightening, and inspiring experience – not a slog.

If you write as if you’re having a great conversation with your reader, about a subject you both care about, you can’t go far wrong.

How to approach the ebook project

At Radix, we have a process for writing a great ebook, which all of our writers follow. If you’re a marketer who has to write content, this could be a good process for you too.

  1. Read the brief. If you’ve been given a written brief, read it thoroughly and note anything you’re unsure of. Then have a call with your client to clarify those points. It’s always better to clarify upfront than to second-guess what the client meant and have to rewrite your draft when it turns out to have been wrong.
  2. Do your research. Your ebook needs to be convincing, which means you’ll need to include stats, figures, and quotes that support your argument. You should also interview subject matter experts to add credibility – these are the people who have the ‘sweet spot’ information that will make the ebook genuinely relevant and useful to your reader. Gather all the supporting information you think you’ll use in the ebook, so you won’t have to break off to look things up after you start writing.
  3. Write an outline. This is an essential part of getting the ebook right. It’s a chance for your client and stakeholders to review what you propose to write and make any corrections or suggestions before you go too far down the route of writing it. A section-by-section structure with bullet points is ideal: think of it as a synopsis document, as if you were pitching your ebook to an editor or literary agent.
  4. Write the first draft. Much of the legwork has now been done, so you should find it relatively easy to write the first draft. A word of caution, though: as you write, don’t be tempted to stray from the outline; it’s been approved, and it’s what you’ve agreed to deliver. Save any new ideas for another piece of content down the line.
  5. Review your first draft. If your deadline allows, don’t send the draft off to the client as soon as you finish it. If possible, ask someone else to take a look (they can even use our content review checklist checklist). Alternatively, put it aside for a few hours – ideally overnight – and come back to it with fresh eyes. You’ll almost certainly spot things that could be phrased better, and these relatively minor tweaks can go a long way to strengthening your first draft. (And the stronger the first draft, the less rework you’ll have to do later.)

Now let’s look at the writing itself. How should you actually write your first draft?

Writing the introduction

The introduction is a crucial part of the ebook. It’ll make people decide whether to keep reading – which you want them to do, because there’ll almost certainly be a call-to-action (CTA) coming that you want them to reach.

So what should a great intro do?

  1. Create an immediate rapport with the reader. The intro is where you show you understand your reader’s world, their professional goals, and their personal aspirations. You’ll mirror the language they use, and set their expectations for the rest of the ebook. (Will it be fun to read, for example, or will it be matter-of-fact but brimming with useful information?)
  2. Frame the problem – and your ebook as the solution. Articulate the main issue your ebook addresses, and clearly show how the ebook will help the reader overcome it. Right out of the gate, you need to make your reader aware that you have something important to tell them about something they care about, and that this ebook will help them to tackle the issue to their advantage.
  3. Define who will get value from the ebook. Showing you know who your audience is – both professionally and psychographically – allows the reader to decide whether the ebook is for them before you’ve taken up too much of their time.

For example: “This ebook is for contact centre managers in consumer-facing organisations who want to improve customer retention rates and aren’t afraid to try radical new ways of working.”

You could even use reverse psychology (respectfully rather than in a snarky way) by defining who won’t get value from it, such as: “This ebook is not for people who shy away from radical new ways of working.

  1. Make it clear what they’re going to learn. Every B2B decision-maker is busy – so they need to know your ebook is a worthwhile investment of their time. So use your intro to set out clearly what they’ll learn, and how they can use it to their advantage.
  2. (Optional:) Show the reader why they should listen to you. Generally, an ebook is not a hard-sell piece of content, so it’s not usually appropriate to go overboard with the sales pitch. But you do need to convince the reader your ebook has something credible and relevant to say. A brief statement about the client’s credentials in dealing with this topic can help to establish that authority and justify the reader’s time.

A good ebook introduction might go a bit like this, for example:

Introduction: The Problem with X

Your situation is like X today, and because of that, you’re not achieving Y. This ebook will show you how to escape X and achieve Y.

It’s for X type of person, working in X type of organisation, with aspirations to achieve Y and/or avoid being X.

Over the following xx sections, you will learn A, B, C, D, and E. You’ll be able to use this information to do Y.

Plus, it will be super fun. Let’s go!

[Optional box-out feature: This ebook distils our experience from helping 10,000 companies in this area to achieve Y over the last Z years. We hope you’ll find it useful.]

Writing the sections                                  

You’ll already have structured the individual sections of your ebook in your outline, so now it’s just a case of fleshing them out. Here are a few pointers to help:

  1. Make your sections roughly the same structure and word count. This will give all the sections equal weight of authority and make the ebook feel satisfying and professional. It’ll also help the designers to lay out each page consistently.
  2. Stick to your word count. A typical ebook is around 2,000-2,500 words, which probably only gives you 300-350 words per section. Get the key points across crisply and succinctly.
  3. Pay attention to headlines and subheads. Make them enticing and appealing. You want your reader to enjoy reading the ebook and feel like they’re chatting with someone who’s interested in them and telling them valuable stuff.
  4. Think about how your copy will look on the page. What design elements will there be? Are there elements of your copy that would work better as a visual or graphic? If so, provide basic suggestions for a designer to create the image. (PRO TIP: To help with this, some ebook copywriters like to write the copy as it will eventually be laid out – in landscape format with text boxes and spaces for graphics.)
  5. Bring your copy to life. Reading lots of abstract, theoretical stuff can be boring. Show how the point you’re making works in the real world and directly impacts the reader. Did your subject matter expert use nice analogies or catchy phrases to explain the topic? If so, work these in.
  6. Back up your points with credible statistics and quotes. You’ll have gathered these in the research stage, so all you need to do now is drop them in (don’t forget to attribute them to their original source). Suggesting pull quotes and breakout stat boxes can also give your designer plenty to play with to make the finished book look interesting and engaging.
  7. Link to other content pieces. If you (or your client) have produced other content relevant to any of your sections, include a link to it. Even if the reader doesn’t make it to the CTA at the end, your ebook can still provide value.
  8. Include a key takeaway or recommendation at the end of each section. What’s the one thing you want the reader to remember about this section? Make it easy for them to remember it!

Writing the summary

This is where you sum up the key points of your ebook in the form of a handy list that will help your reader to achieve Y or avoid X (refer back to the intro at this point).

If you’ve included takeaways throughout the ebook, you can list them again here, so your reader has a summary of the key points to remember. And if your ebook is designed to be actionable, including a checklist can work well.

A nice touch is to include links to further resources – either the client’s own content or (if you want to be really helpful) industry-wide content that adds relevant and interesting new perspectives on the topic you’ve discussed.

And if you haven’t already set out the client’s credentials in the topic area, there’s another chance to do that here.

Writing the call to action

In B2B tech, sales cycles can be long – so your ebook likely plays a specific role in guiding the reader along their “buyer journey”. To do this, your CTA at the end should encourage the reader to take a sensible next step – whether that’s to read another piece of content, book a demo, or get in touch.

You can measure the ebook’s value by the number of people who follow this CTA, which means you need to make it as persuasive as possible. So don’t leave writing this until you’re exhausted and can’t wait to type the final full stop.

Instead, write the CTA early on – ideally in your outline – and make sure you assess it thoroughly when you come back to your draft with fresh eyes before you send it off.

…and that’s it!

There’s much more we could say about ebooks – but this getting started guide is already approaching ebook-style length.

If you’re looking for help creating a really great ebook, find out more about our services or get in touch – we’re always happy to help!

Note: this blog post was originally written by Radix’s founder, Fiona Campbell-Howes, in 2015. It has since been updated to keep up with evolving practices among our ebook clients, and changes to our writing process.

Radix Copycast Episode 25: Creating truly useful B2B marketing content

 

Useful content is essential to good content marketing. It’s about giving away a bit of your expertise to help your audience do their job more easily or to make better decisions. The aim is to build an appreciative community of fans who will one day come to buy a product or service from you.

But in practice, useful content can be hard to create. It’s more than just a blog post that discusses a current industry trend or a SlideShare highlighting a specific issue. From ROI calculators and how-to guides to workbooks and checklists, useful content is content that actually, practically helps people do their job better. And getting it right means really getting to grips with what your audience needs.

In this episode, Fiona and I explore how to identify content ideas that are useful and how to go about writing them.

Listen now to find out:

  • The hallmarks of truly ‘useful’ content
  • What you can do to identify ideas for useful content that your audience wants
  • The best formats for useful content
  • Tips on writing useful content
  • … and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Alternatively: add our RSS to your preferred podcast player.

Music by Industrial and Marine.

Useful links

Velocity’s B2B Content Marketing Strategy Checklist

fridaygirl.com’s Admin 101

How to brief a B2B copywriter

Brief even the world’s greatest copywriter badly, and they won’t deliver what you need.

The words they tap out won’t appeal to the right people. Or talk about the right thing. Or fit where you want to put them.

You might as well scrape them off your homepage and replace them with some significant-looking geometric shapes, or vaguely aspirational go-faster stripes. If they’re for a standalone content piece – like an eBook, or a SlideShare – there’s every chance it’ll end up languishing among the estimated 60+ percent of B2B content that gets created, but never actually used.

And yet… a lot of the briefs a B2B copywriter receives are woefully inadequate.

At a recent Twitter chat, we asked the assembled copywriters (TM pending) to share the biggest issues they have with the briefs they receive. Here are two representative responses:

And these are not lone voices in the wilderness. These are the cries of an army of professionals, desperately wanting to do a good job – so they can earn your repeat business, sure, but also so they can take some genuine pride in their work.

So, how do you brief well, and give a huge boost to both your marketing efforts and your copywriter’s self-esteem?

Here’s my take on the absolute fundamentals.

1. Help us understand who we’re writing for. (The audience.)

You know the kind of person you want to reach:

  • Where they work
  • What they do
  • What keeps them lying awake at night
  • What makes them gaze droolingly into the middle distance
  • What job title they’d ultimately like to call their own
  • What they already know (and don’t know) about your product or service

So, tell your copywriter. It’s a lot easier to be persuasive when you know who you’re talking to.

If you don’t know who your audience is, or you genuinely think your audience is ‘everyone’, you’re talking to a copywriter too early. Instead of rushing to produce content, you should be working to refine your marketing strategy.

In our Twitter chat, Dave Harland ‏@wordmancopy succinctly summarised the kind of brief that’s guaranteed to make a copywriter’s heart sink:

(Even better than telling us about your customers, you could introduce us to them.)

2. Tell us where the audience will read our copy.

That ‘where’ is both physical – on this blog, in an email that follows this template – and metaphorical. If you’re mapping your content to the good old sales and marketing funnel model, or it’s part of a larger campaign, let us know where it’s going to sit.

That way, we can make sure our copy forms a neat, logical journey, and even helps you effectively qualify leads along the way.

3. Explain how you speak, what you want to say, and why your audience should care.

Whether you’re producing a series of thought-leadershippy blog posts, or a thoroughgoing product guide, you’re producing it to engage your audience, and tell them something.

All you need to tell your copywriter is:

  • How you speak – if your company has a tone of voice guide, share it with us now
  • What you want to say – whether it’s ‘Hey, have you thought about how you’ll handle all the data from the Internet of Things?’ or ‘This is how our software helps businesses hire faster’
  • Why our audience should care – which of their challenges, worries and dreams does your message speak to?

4. Tell us what you want the audience to do next.

Thanks to the multiple teams, stakeholders and pressures involved in the creation of most marketing content and campaigns, it’s all too easy for the ‘call to action’ – what you actually what your audience to do after reading the copy – to be finalised very late in the day.

Ideally, however, it’s there from the start, front-and-centre in the brief. That way, your writer can create copy that carefully builds towards it – until taking that next step seems like the only natural thing to do.

5. Lay down the briefing law.

As our Twitter chat revealed, different writers like to be briefed in different ways. You could ask them for their preference. But you’re probably better off covering all bases:

  • Put together a written brief. This needn’t take long. The stuff you’ll want to include – from who the audience is, to how the copy is going to be used – is all stuff you should know already. Putting it in a Word doc will help you nail it down, and highlight any gaps or issues. (And once you’ve written your first brief, you’ve got a template you can use again and again.)
  • Arrange a briefing call. It doesn’t matter how comprehensive your written brief is, a good writer will relish the chance to hear you explain the project—and to ask questions.
  • Arrange further calls, if necessary. Some projects will require your writer to understand and convey complex ideas, others to present genuinely expert advice. If that’s the case, give us a chance to quiz the people with the ideas and/or knowledge. (Often, this means product experts.)

6. Give feedback.

If you’re working with a writer on a series of projects, the feedback you offer becomes a crucial part of the briefing process. Tell us if we met the brief. Tell us if you felt you had to tweak the tone of voice, or cut our hilarious play on words. Tell us if a project has met its targets, and if not, where it’s failed.

This is the kind of information copywriters thrive on. It helps us correct, perfect, and ultimately do an even better job next time.

Here’s the simple truth, and one that few will be honest enough to tell you.

Great copywriters can use their skills in two ways.

If you brief us badly – something the best of us will fight tooth and claw to stop from happening – we’ll reluctantly use our writing prowess to paper over the cracks in our understanding. We’ll produce words that read just fine, whoever’s reading them, and neatly fill some space. But that’s all they’ll do. They won’t hit home with your audience. They won’t make them sit up and take notice – and action.

And we’ll feel bad about it, even though we’ve done a bloody miraculous job under the circumstances.

But if you brief us well, it’s quite literally a different story.

We’ll use our skills to engage the people you’ve told us you want to engage. We’ll have the grounding and the confidence to write with genuine authority, find resonant narratives, and bring the full force of your expertise and our creativity to bear.

We’ll make any organisation look as clever as it is – if not more so – and its products or services look as invaluable as they are. Which is, after all, why you went looking for a great B2B copywriter in the first place.

All I’m saying is this. Let us show you what we can do.

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