RIP: the B2B infographic (2012-2016)

When was the last time you saw a B2B infographic?

We haven’t seen one for a while. In fact, we’ve seen so few in the last 12 months, we’re ready to call the format’s time of death – placing it among the biggest content casualties of 2016.

The unexpected demise of the infographic is just one of six major B2B marketing trends we’ve spotted over the last year.

Trends you’ve spotted?

Yes indeed. As copywriters to over 60 of the world’s leading B2B tech brands, we work on hundreds and hundreds of marketing projects annually, across tens of industries.

And as good business people, we track those projects to within an inch of their boxy little lives. The result is stacks of seriously interesting data.

Each January, we see what this data (and the latest research from analytical pros like CMI and MarketingProfs) can tell us about the current state of B2B content marketing. The results are never less than fascinating.

Like our discovery that B2B case studies – no longer counted as content by the CMI, and as a result, effectively invisible to causal trend-watchers – experienced a huge leap in popularity in 2016. Or the revelation that social media content took a staggering nosedive.

As is rapidly becoming traditional, David and Emily have pulled together the biggest talking points, adding their expert analysis along the way. And this time, our new writer Katy has designed* the hell out of them, creating the handsome SlideShare you’ll find below.

Click away – and see whether our findings echo your own adventures in the world of B2B content creation. (When you’re done, be sure to share your thoughts. We love discussing this stuff, and readily respond to comments, tweets, and invitations to the pub.)

*Yes, designed. Many of our writers have hidden talents. You should see Steve in a rap battle.

Podcast 45: Is BOFU content sexier than TOFU? Ooft, absolutely.

After a hefty winter break (and far too many of Matt’s yuletide treats), the Radix team are back in action (albeit slightly bloated) for another year of B2B content adventures.

And we’ve been thinking hard this past week about BOFU content –why all the ambivalence towards it? The bottom of the funnel is where all that hard work pays off and the money comes rolling in; what’s not to love?

Case studies, product sheets, implementation guides – for us, these are the poster boys of content marketing. Shexshy.

You probably think we’ve lost our marbles; how can a case study be sexy? But bear with us: check out the latest episode of Good Copy, Bad Copy with Emily, Fiona and David.

Tune in now to discover:

  • Our favourite examples of great BOFU content
  • Why BOFU content is just as glamorous as TOFU
  • At least three actionable BOFU tips
  • The right content to use with a ‘freemium’ signup model
  • Why David is so worryingly attached to Maxon’s latest motor catalogue?

Alongside insightful chatter on Xero’s frankly excellent case studies, Emily and David finally acknowledge Bee Movie and its (totally justified) influence on our writers’ relationship with Slack.

(If you happened to have missed the recent buzz around Bee Movie, born from the internet’s most asinine depths, click here – but be warned, a tolerance for memes is essential.)

Finally, if you’d like to guess how many pages are in the Maxon 2016/17 Motor Program as asked by David (it will make his day if you do), please tweet us @radixcom.

Download the episode here (right-click and “save-as” to download). Or stream the episode in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Alternatively: add our RSS to your preferred podcast player.

Music by Industrial and Marine.

Podcast 37: The battle to stop B2B content from going to waste

A staggering amount of B2B content goes unused after it’s been produced:

In this episode I’m joined by Fiona Campbell-Howes, Radix’s founder, and David McGuire, Radix’s Creative Director, to examine what leads to content waste and if there’s anything you can do to stop it.

Listen now to find out:

  • How a lack of review time can lead to B2B content getting benched
  • Why it always seems to be the work you like most that disappears
  • The effect strategy changes can have on publishing content
  • Why delays gaining permission from third parties can stop publication altogether
  • What editorial can do to reduce waste
  • … and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.
You can subscribe to the podcast on iTunes here.

Alternatively: add our RSS to your preferred podcast player.

Music by Industrial and Marine.

How to brief a B2B copywriter

Brief even the world’s greatest copywriter badly, and they won’t deliver what you need.

The words they tap out won’t appeal to the right people. Or talk about the right thing. Or fit where you want to put them.

You might as well scrape them off your homepage and replace them with some significant-looking geometric shapes, or vaguely aspirational go-faster stripes. If they’re for a standalone content piece – like an eBook, or a SlideShare – there’s every chance it’ll end up languishing among the estimated 60+ percent of B2B content that gets created, but never actually used.

And yet… a lot of the briefs a B2B copywriter receives are woefully inadequate.

At a recent Twitter chat, we asked the assembled copywriters (TM pending) to share the biggest issues they have with the briefs they receive. Here are two representative responses:

And these are not lone voices in the wilderness. These are the cries of an army of professionals, desperately wanting to do a good job – so they can earn your repeat business, sure, but also so they can take some genuine pride in their work.

So, how do you brief well, and give a huge boost to both your marketing efforts and your copywriter’s self-esteem?

Here’s my take on the absolute fundamentals.

1. Help us understand who we’re writing for. (The audience.)

You know the kind of person you want to reach:

  • Where they work
  • What they do
  • What keeps them lying awake at night
  • What makes them gaze droolingly into the middle distance
  • What job title they’d ultimately like to call their own
  • What they already know (and don’t know) about your product or service

So, tell your copywriter. It’s a lot easier to be persuasive when you know who you’re talking to.

If you don’t know who your audience is, or you genuinely think your audience is ‘everyone’, you’re talking to a copywriter too early. Instead of rushing to produce content, you should be working to refine your marketing strategy.

In our Twitter chat, Dave Harland ‏@wordmancopy succinctly summarised the kind of brief that’s guaranteed to make a copywriter’s heart sink:

(Even better than telling us about your customers, you could introduce us to them.)

2. Tell us where the audience will read our copy.

That ‘where’ is both physical – on this blog, in an email that follows this template – and metaphorical. If you’re mapping your content to the good old sales and marketing funnel model, or it’s part of a larger campaign, let us know where it’s going to sit.

That way, we can make sure our copy forms a neat, logical journey, and even helps you effectively qualify leads along the way.

3. Explain how you speak, what you want to say, and why your audience should care.

Whether you’re producing a series of thought-leadershippy blog posts, or a thoroughgoing product guide, you’re producing it to engage your audience, and tell them something.

All you need to tell your copywriter is:

  • How you speak – if your company has a tone of voice guide, share it with us now
  • What you want to say – whether it’s ‘Hey, have you thought about how you’ll handle all the data from the Internet of Things?’ or ‘This is how our software helps businesses hire faster’
  • Why our audience should care – which of their challenges, worries and dreams does your message speak to?

4. Tell us what you want the audience to do next.

Thanks to the multiple teams, stakeholders and pressures involved in the creation of most marketing content and campaigns, it’s all too easy for the ‘call to action’ – what you actually what your audience to do after reading the copy – to be finalised very late in the day.

Ideally, however, it’s there from the start, front-and-centre in the brief. That way, your writer can create copy that carefully builds towards it – until taking that next step seems like the only natural thing to do.

5. Lay down the briefing law.

As our Twitter chat revealed, different writers like to be briefed in different ways. You could ask them for their preference. But you’re probably better off covering all bases:

  • Put together a written brief. This needn’t take long. The stuff you’ll want to include – from who the audience is, to how the copy is going to be used – is all stuff you should know already. Putting it in a Word doc will help you nail it down, and highlight any gaps or issues. (And once you’ve written your first brief, you’ve got a template you can use again and again.)
  • Arrange a briefing call. It doesn’t matter how comprehensive your written brief is, a good writer will relish the chance to hear you explain the project—and to ask questions.
  • Arrange further calls, if necessary. Some projects will require your writer to understand and convey complex ideas, others to present genuinely expert advice. If that’s the case, give us a chance to quiz the people with the ideas and/or knowledge. (Often, this means product experts.)

6. Give feedback.

If you’re working with a writer on a series of projects, the feedback you offer becomes a crucial part of the briefing process. Tell us if we met the brief. Tell us if you felt you had to tweak the tone of voice, or cut our hilarious play on words. Tell us if a project has met its targets, and if not, where it’s failed.

This is the kind of information copywriters thrive on. It helps us correct, perfect, and ultimately do an even better job next time.

Here’s the simple truth, and one that few will be honest enough to tell you.

Great copywriters can use their skills in two ways.

If you brief us badly – something the best of us will fight tooth and claw to stop from happening – we’ll reluctantly use our writing prowess to paper over the cracks in our understanding. We’ll produce words that read just fine, whoever’s reading them, and neatly fill some space. But that’s all they’ll do. They won’t hit home with your audience. They won’t make them sit up and take notice – and action.

And we’ll feel bad about it, even though we’ve done a bloody miraculous job under the circumstances.

But if you brief us well, it’s quite literally a different story.

We’ll use our skills to engage the people you’ve told us you want to engage. We’ll have the grounding and the confidence to write with genuine authority, find resonant narratives, and bring the full force of your expertise and our creativity to bear.

We’ll make any organisation look as clever as it is – if not more so – and its products or services look as invaluable as they are. Which is, after all, why you went looking for a great B2B copywriter in the first place.

All I’m saying is this. Let us show you what we can do.

For more B2B content tips…

Subscribe and listen to the Good Copy, Bad Copy podcast.

Podcast 36: Pay, gender, location & skills – the state of UK copywriting

Everybody’s talking ‘bout the Pro Copywriters’ Survey – and no wonder: it revealed a 28% gender pay gap in UK copywriting.

But the understandable outcry over the gender pay issue may have drawn attention away from a few other juicy findings in the survey. Stories of a huge London price premium, an all-round lack of training, and a university education apparently harming your earning potential. A hint (if you squint at the stats a certain, determined way) of workaholic Yorkshire writers and lazy Scots.

The survey provoked some (ahem) lively debate around gender, pricing, training and sector specialisms at our recent #b2bcopychat on Twitter (see the Storify below) – so in this, the 36th episode of Good Copy, Bad Copy, we thought we’d sprinkle a bit more fuel on the fire.

Radix’s MD, Fiona Campbell-Howes, Content Marketing Manager Emily King and I pick out our personal highlights of the discussion so far, and ask:

  • Which qualifications impress copywriting recruiters – or is it all about experience?
  • Why on earth don’t more copywriters specialise?
  • Does anybody – male or female – really negotiate over pay?
  • Do Yorkshire copywriters really work 40% harder than Scottish counterparts? *
  • Is there any discernible advantage to hiring a copywriter based in London? **

(Fiona may or may not also imply that the best writers all naturally gravitate West. You might think that, Fiona; we couldn’t possibly comment.)

You can listen in the player at the top of the page – or to download the episode, right click here.

If you like, you can subscribe to the podcast on iTunes here and we’ll pop up in your fruit-based device on a regular basis. Or alternatively, add our RSS to your podcast player of choice.

Our music is by Industrial and Marine. Bangin’.

* Hint: no.

** Another hint: HELL NO.

Three people your B2B copywriter definitely needs to meet

This is a plea.

It’s on behalf of B2B copywriters everywhere, to you, as a marketer. And quite simply, it’s this:

Let us talk to your people.

Don’t get me wrong; we love it when you’re organised, help us with our research and provide a clear brief for the work you want. But give us direct access to a few people from around your organisation too, and you’ll be rewarded with stronger, more compelling copy.

And let’s be frank: you need better copy. Look at almost any survey of B2B marketers’ top challenges, and you’ll find creative engaging content is there or thereabouts. If you want engagement, this is how you get it.

(By the way, if you’re an agency marketer, the same thing goes for letting your copywriter talk directly to the client.)

Why? because a direct conversation will give us three essential ingredients your briefing document (helpful though it is) usually can’t:

  • It lets us hear how people really talk, and use your sector’s terminology, in the real world – which helps your copy to sound authentic.
  • It gives us an insight into attitudes, and how people think about concepts (the bad as well as the good) – which enables your copy to be honest, and deal with people’s real issues.
  • It presents an opportunity to ask questions, and listen out for angles, ideas and hooks you might have missed – which means your copy might surprise you.

That makes for copy that’s informed, engaging and resonant.

Horrifying thought, isn’t it? Putting an external writer in direct contact with the assortment of oddballs, nerds and outspoken critics who reside in the dark recesses of almost every B2B-focused company. Who knows what impression we might get of them (or they might get of us)?

But relax; we’re B2B copywriters. Talking to geeks, digging into technical subjects, and finding the story in something dusty and dull is simply what we do every day. But more than that, we chose this line of work. We enjoy it, we’re good at it, and crucially we’re on your side.

So your office characters don’t need to be polished before they talk to us; polishing is our job.

And if you want your copy to really speak to your customers in a language they’ll recognise, there are three people above all others you should introduce us to…

1. That “challenging” salesperson

You know the one. They get great results, but they’re impossible to satisfy – always negative about your latest marketing work, dismissive of new product releases and outraged at production lead times. If you squirm inside at the thought of what they might say, they’re the one we need to talk to.

Why we want to talk to them: they’re our quickest way to find out why grass roots customers really buy from you. They’ll also probably be completely blunt about what’s bad about your product or service, where your competitors have an edge, and where they’ve seen marketing materials miss their target audience.

2. Your biggest product geek

Oh yes, the enthusiast. The one who – irrespective of your market research – thinks the new triple widget flangelator is really what you should be promoting, because it could revolutionise the whole flugelbinding process. If they read product catalogues and instruction manuals for fun, they’re perfect.

Why we want to talk to them: this is where your deep content comes from. The actual insights that customers can really use are currently lurking between your expert’s ears, and we’re experienced at mining them out. Also, it helps us to know not just that it’s faster, but *why* it’s made that way.

3. (Deep breath…) your customer

Yes, it’s a bit scary. But as writers we’re acutely aware that when we talk to your customer, we’re holding your baby – so we’re always on our best behaviour. Case studies are a great way to make this happen (while making the customer look clever and feel important to boot), but even helping you on a trade show exhibition stand can do the trick.

Why we want to talk to them: to find out exactly what’s important to people in your sector and – crucially – how they speak in the real world. One we’ve met a typical customer, it’s easier for us to picture them, and write compellingly to that kind of person. (They might also say things to a third party they wouldn’t tell you – giving you extra insights when we report back.)

You need engagement, we need access

For years, B2B marketers’ biggest problem has consistently been producing content that really engages. As external copywriters, the more we can immerse ourselves in your world, the better our chances of picking up on real, current concerns, unearthing fresh insights, and finding the right language to cut through the noise.

Please do continue to give your copywriter a full, detailed brief – but please, trust us talk to your characters too. Often, that’s where the gold is.

Fancy reading B2B copywriting tips and ideas on a regular basis? Our email newsletter is perfect. Try it for yourself…

Podcast 35: Three kinds of B2B marketing content you’re probably missing

As long ago as 2011, Joe Pulizzi pointed out that inbound marketing alone isn’t enough for content marketing to deliver its full value.

More recently, B2B agencies have been lining up to put the boot into the funnel as a metaphor for your customers’ buying process. Velocity Partners called it a poisonous metaphor, Octopus Group suggested it’s actually more of a pretzel and – possibly most fun of all – Workbrands suggested it’s really a water park.

But still, content marketers seem keen to map their marketing assets to stages of the traditional funnel: TOFU, MOFU and BOFU. What else should we be writing, how should we really see the funnel, and what does it all mean for B2B copywriting?

In this episode of Good Copy, Bad Copy, Radix’s MD Fiona Campbell-Howes and I expand on my recent blog post about addressing these missing parts of the funnel, and discuss:

  • Why people are questioning the funnel
  • The importance of PREFU, REFU and POFU content
  • Account-Based Marketing, and what it means for B2B writers
  • Whether anyone would actually want to eat an octopus pretzel
  • … and more.

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

If you like, you can subscribe to the podcast on iTunes here, or alternatively add our RSS to your preferred podcast player.

Our music is by Industrial and Marine …and if you’d like to try an octopus pretzel, there’s a recipe here (full disclosure: it doesn’t actually contain octopus).

Podcast 33: The changing face of B2B blogging

For B2B brands, blogs are the third most popular content marketing tactic, used by 81% of B2B organisations.

More than 50% of B2B organisations rate business blogs as an effective content marketing tactic, but are brands using blogs to their full potential?

In 2015, Radix saw a huge surge in the number of blog posts requested by clients. These pieces of content are more thought out and detailed compared to briefs from three years ago. The latest studies are showing that longer, more detailed blog posts get more shares and hits, so we expect to see clients commissioning longer blog posts this year.

In this episode of Good Copy, Bad Copy, I’m joined by Radix founder Fiona Campbell-Howes to discuss the anatomy of today’s top blog posts.

Listen now to find out:

  • Why the top-performing blog posts are getting (much) longer
  • How platforms like LinkedIn Pulse are affecting business blogging
  • What company blogs mean for website SEO
  • What’s involved in researching and writing B2B blog posts
  • What makes for a more shareable blog post
  • … and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Alternatively: add our RSS to your preferred podcast player.

Music by Industrial and Marine.

Related reading

The Anatomy of a Shareable, Linkable & Popular Post: A Study of Our Marketing Blog

Buzzsumo: BuzzFeed’s Most Shared Content Format Is Not What You Think

Podcast 32: How to write a top-notch B2B landing page

A great landing page is one that spurs the visitor to take action: register for a report, sign up for a free trial or request a product demo.

As such, they’re cornerstones of digital marketing strategy, generating leads, taking names, and generally showing marketers who’s interested in what.

But to be really successful, a landing page has to be persuasively written from start to finish – and getting the copy right is no easy task.

In this episode of Good Copy, Bad Copy, seasoned copywriters Fiona Campbell-Howes and David McGuire discuss how to write a top-notch landing page for your B2B website.

Listen now to find out:

  • What a landing page needs to do
  • How to get the copy right
  • Copy pitfalls to avoid
  • What makes a compelling call to action
  • … and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Alternatively: add our RSS to your preferred podcast player.

Music by Industrial and Marine.