Webinar: 5 terrifying risks you should definitely take with your B2B content

Five terrifying risks you should definitely take with your B2B content

Here’s a sad fact: behind every piece of bland, lifeless, me-too B2B content, there’s a marketer.

A marketer who wanted to do something different. Who had a better, bolder idea, but had it rejected – or shelved it because they’d never get their stakeholders to agree. Who’s frustrated, because they weren’t allowed to take a risk.

And that’s why the internet is full of  bullshit like “experience our end-to-end digital solution” and “in today’s fast-moving digital world…”

Standout content necessarily involves an element of risk – otherwise it wouldn’t stand out. But the right risk, the right way, at the right time. And that’s what our first ever webinar is about.

Spoiler alert: I’m NOT going to tell you to be braver. But I am going to share five ways you can take a sensible, calculated risk that will set your content apart. Importantly, I’ll also talk about how you can get your clients and stakeholders on board.

After the presentation, we’ll have plenty of time for questions and answers, to swap nuggets of best practice, and to tell stories from the B2B content trenches.

If you write, create or specify B2B content, I solemnly swear it will be a valuable and thought-provoking use of your time.

Hope to see you there.

David

Note: This webinar has now ended. Thanks to all who took part.

Podcast 70: how to write B2B copy for engineers

One of the greatest challenges a B2B copywriter often faces is writing for a new audience. Vocabulary, tone, expectations, pain points, turn-ons, turn-offs…

Whether you’re creating a though-leadership blog for tech-hungry IT leaders, or a series of laidback podcasts for refrigeration engineers, there’s a lot to think about.

That’s why for our 70th (!) episode of Good Copy, Bad Copy: the B2B copywriting podcast, we’re joined by Lasse Lund, copywriter and content marketing consultant at Danfoss Cooling, to discuss writing all things engineering – as well as his own journey into the strange world of B2B copywriting.

Technical, engineering content… for a worldwide audience

A Danish native raised in the States, Lasse offers great insight into what it takes to write ‘definitive’ English-language copy for a global and culturally diverse engineering audience. And why writing for engineers is, in theory, a game of two halves: the technical and the business.

Also in this month’s episode:

  • Technical editing tips to make localisation easier
  • The value of reading niche technical publications
  • How to not alienate marketing-averse engineers

More on B2B’s “Gender Say Gap”

Before we sign off, we’d like to thank everyone for the inspiring feedback we received following last month’s podcast on the Gender Say Gap. We’ve never had a response like it.

So, Bisma Hashmi, Barry Whittle, Roberta de Lima, Caroline Robinson, Daryl Newman, Anna McLoughlin and everyone else who liked, commented, shared or emailed… thanks. It’s good to know you care about this too.

(Thanks once again to the brilliant Claire Mason of Man Bites Dog for bringing this important issue to our attention; we’re sure it’s something we’ll revisit.)

Add your voice to the podcast

We love getting your comments, questions and ideas. Contact us through @radixcom on Twitter or [email protected] (you can even email us a voice memo, if you like).

How to listen

Credits:

Podcast editing and music by Bang and Smash

Podcast 69: B2B tech copywriters versus the “Gender Say Gap”

I once dialled into a conference call in time to hear the tail end of a conversation between the client’s marketing manager and the expert I was about to interview. The manager was breathlessly explaining that they would be talking to a “lady copywriter”, as if I were some sort of elusive cryptid, only recorded in grainy photographs and poorly sourced Reddit threads.

It was quite sweet, really – they sounded genuinely pleased that they’d be dealing with a female writer. (Plus, depending on the inflection, “lady copywriter” makes me sound like I own a very large manor house in the country and can trace my lineage back to the Plantagenets.)

But, until that point, I’d never thought of myself as a novelty.

And in a way, that’s what our latest episode of Good Copy, Bad Copy is all about. Why are “lady copywriters” such a rarity in our industry?

Let’s talk about gender in B2B tech copywriting

In response to some sobering statistics from the most recent ProCopywriters survey (including the fact that female writers are still somehow paid 25% less than male writers, despite making up the majority of the workforce), David asks Fiona to share what it’s really like to be a female B2B tech copywriter.

We’re also lucky enough to have a truly excellent interview with Claire Mason of Man Bites Dog, discussing what she calls “The Gender Say Gap”. We aren’t just missing women’s writing in the B2B tech marketing – we’re missing out on female experts to showcase and quote, too.

I won’t spoil too much here, but listen in to hear Claire, Fiona, and David chat about:

  • Why auditing diversity is just as important as auditing everything else in an organisation
  • How to get expert female voices in front of our audiences – and why it’s so important
  • Practically, what can we all do to make business tech marketing a more inclusive industry for every gender?
  • Why encouraging more young women into STEM isn’t just the right thing to do – it’s vital for the UK economy

Add your voice to the podcast

As always, we love getting any comments, questions and ideas on the podcast from you. If you’ve got a contribution you’d like to make, you can send it to us via @radixcom on Twitter or [email protected] (you can even email us a voice memo, if that tickles your fancy).

How to listen

Credits:

Podcast editing and music by Bang and Smash

The B2B Content Audio Blog #10: five essential QA tests for B2B copywriting

Even the best writer can have an off day. So how do you ensure your content is consistently top-notch?

Unfortunately, there are no shortcuts—but there are some tricks of the trade. Here at Radix, we have a set of five quality control standards, which we use for our internal reviews.

Whether you’re reviewing someone’s copy, or about to publish some of your own, these five questions will let you know if your writing is good to go.

Listen now to learn:

  • The questions behind our Maslow-inspired pyramid of copywriting skills
  • How to spot simple, and not-so-simple, mistakes
  • How to pass the ‘so what’ test and the importance of being exceptional

“Looks like we got ourselves a reader…”

David’s original blog post includes a graphic of the skills hierarchy itself: Does your B2B tech copy pass these five tests?

Or if you’d like to try another Radix podcast, there’s always Good Copy, Bad Copy: the B2B Copywriting Podcast.

How to listen

You can download the episode here, or stream the episode in the player at the top of the page.

Alternatively, you could subscribe to us on iTunes, or use this RSS feed here. Excitingly, you can also now find us on Spotify.

Get in touch

Got something to say?  Email [email protected], tweet at us, or leave an iTunes review. We have three episodes left, so we’d love to know what you thought of the series.

Credits

Audio editing: Bang and Smash

Theme tune: “Chinny Reckon” by the Nye Bevans

The B2B Content Audio Blog #9: a foolproof blog post structure you can steal

You’ve got a great idea for you next blog post—so why is it so difficult to get down?

Ordering your arguments and writing persuasively is one of the most important skills for a writer to have, and with the right structure it doesn’t even have to be that hard.

In this audio blog you’ll hear structural template that you can totally steal (with our blessing) and use for almost any blog you’re likely to write.

In six minutes flat, you can pick up:

  • Our bulletproof structural template for a basic blog post
  • The top tips we rely on for engaging our audience
  • Ways to add value to your posts—no matter what you’re writing about

“Looks like we got ourselves a reader…”

You’d prefer the old-fashioned, written version of this piece, here’s A basic structure you can use for almost any blog post.

Or, if you’re you’d like to listen to something longer, try our monthly discussion podcast Good Copy, Bad Copy: the B2B Copywriting Podcast.

How to listen

You can download the episode here, or stream the episode in the player at the top of the page.

(If you’d rather use your podcast app, you subscribe to us on iTunes, and there’s an RSS feed here.)

Get in touch

Got something to say?  Email [email protected], tweet at us, or leave an iTunes review. (Please, we’re lonely…)

Credits

Audio editing: Bang and Smash

The B2B Content Audio Blog #7: how to write an ebook that gets results

Content marketing is full of ebooks; some good, some bad, and some ugly. How do you write content that really stands out?

In this audio blog we present a definitive guide to writing ebooks the right way. We identify the key characteristics and tricks of the trade that will get your words read – and more importantly, responded to.

Listen now to learn:

  • The three hallmarks of a great ebook
  • Top tips for approaching your next project
  • An step-by-step guide to writing every section

“Looks like we got ourselves a reader…”

If you’d rather see the written version of Fiona’s complete guide, here’s How to write an ebook for a B2B audience.

Or, if you’re you’d like to listen to something longer, try our monthly discussion podcast Good Copy, Bad Copy: the B2B Copywriting Podcast.

How to listen

You can download the episode here, or stream the episode in the player at the top of the page.

(If you’d rather use your podcast app, you subscribe to us on iTunes, and there’s an RSS feed here.)

Get in touch

If you find the audio blog format useful (or if you have a way to improve it), please do get in touch. Email [email protected], tweet at us, or leave an iTunes review.

Alternatively, you can read about our ebook writing services, here.

Credits

Audio editing: Bang and Smash

Title music: “Chinny Reckon” by the Nye Bevans

Podcast 66: is it ever OK to use comedy in B2B copy – and if so, how do you do it well?

Making people laugh is hard at the best of times – but when you’re writing in the guise of a brand, it’s even harder.

How do you know what your audience will find funny? And what if your audience doesn’t share your sense of humour, and it actively damages your brand’s reputation?

With the risks so high, you might think it’s best to avoid humour altogether in B2B copywriting. But is that really true – and if not, how do you go about getting B2B comedy right?

Three B2B comedy experts share their insights

In this special edition of Good Copy, Bad Copy, I talk to three people who know a thing or two about comedy and B2B copywriting.

The result: a full 45 minutes packed with expert tips on how to do B2B comedy well; what to avoid at all costs; and when it’s better not to try to be funny, even if you really want to.

Here’s the line-up:

Craig Beadle, comedy journalist-turned-copywriter at B2B content marketing agency Velocity Partners, gives us the lowdown on:

  • Which content formats work well for comedy – and which don’t (06:30)
  • How Velocity uses its own brand of humour to attract the right kind of clients (09:00)
  • The one time they took things too far – and discovered a line you can’t cross (13:21)

PLUS: Why this trio of ads by Sandwich Video for Wistia is his favourite bit of B2B humour.

Pauliina Jamsa, senior online marketing manager at Siemens and veteran of over 70 stand-up appearances, spills the beans on:

  • How she uses humour to liven up conference presentations (19:11)
  • Why B2B brands shouldn’t try too hard to be funny (22:52)
  • Why customers are your best source of comedy inspiration (just don’t make them the butt of the joke) (28:59)

Richard Preddy, comedy scriptwriter with TV credits including The Fast Show and Green Wing, and writer-for-hire on corporate video projects, gives us his two cents on:

  • When it’s appropriate to use humour in your content – and when it isn’t (35:04)
  • How to convince sceptical client stakeholders your idea is genuinely funny (36:38)
  • Why visual content lends itself better to comedy than text (38:23)

PLUS: Why this video earned Zendesk Richard’s vote for funniest B2B tech brand.

Thanks once again to our three fabulous contributors for their time, honesty and humour.

Want to contact the show?

If you have any questions for our contributors, or comments for us, fire away. You can reach us via @radixcom on Twitter or [email protected] (you can even email us a voice memo, if you like).

How to listen…

You can download the episode here (right-click and “save-as” to download). Or stream the episode in the player at the top of the page.

(Alternatively, you can subscribe to the podcast on iTunes here. Or maybe add our RSS to your preferred podcast player.)

Have you heard the one about… interviewing subject matter experts?

That’s the latest topic in our new, short-form podcast series, The B2B Content Audio Blog. Each one is a quick, easy listen on a specific aspect of B2B content writing – from writing for ABM to the evils of using the present participle in headlines. We’d love to know what you think.

Credits:

Podcast editing and music by Bang and Smash

When copywriters show their working, everybody wins. Here’s why.

Notes:

  • Hi David. Below you’ll find the copy for my next Radix blog post.
  • As agreed, it discusses why I often include notes at the start of my copy documents, explaining how I’ve responded to the brief and the key decisions I’ve made along the way.
  • It’s a bit shorter than our usual posts – but I’d rather keep it to the point than pad it out unnecessarily.
  • Other than that, there shouldn’t be too many surprises – though as you’ll see, I’ve opted for a rather meta opening. It might be a bit much. See what you think.

A great piece of writing is built on great decisions.

Decisions like: “I’ll put these product features in a sidebar, so they don’t ruin the narrative flow”, or “I’ll drop the retail message, because we’ve such limited space, and it’s only relevant to half our audience”.

A good writer will put a lot of thought into these decisions. But when you – as an in-house Marketing Manager, or an Account Manager at a marketing agency – open up the copy they’ve submitted for you to review, you won’t see that thought at all.

You’ll dive into the copy, and surface, sometime later, with a host of questions. Questions like: “Why are the product features in a sidebar?”, and “Where’s the retail message we included in the brief?”

That’s why, for years now, I’ve been adding notes at the top of my copy documents explaining my rationale in creating the piece.

Why it’s great for me as a copywriter

This transparency is great for me in a number of ways:

  1. It forces me to understand exactly why I’m making the decisions I’m making. And that makes me a better writer and editor.
  2. It helps reassure the client I’m writing for that a professional, experienced copywriter has really engaged with their brief. Instead of some copy in a word doc, they see something crafted by human being who has their best interests at heart.
  3. It gives me a chance to foreground any tough decisions I’ve made, and quickly set out the logic behind them.

Why it’s great for our clients

Our clients benefit from these explanations too.

  1. If I’m writing for a marketing agency, the Account Manager can use my notes to help frame the copy when they share it with their client.
  2. If I’m writing directly for a B2B technology company, the Marketing Manager can use my notes to help frame the copy when they share it with any other stakeholders – e.g. the product team.
  3. Whoever’s reviewing my copy, the notes put them in a better position judge the work, and feedback quickly and to the point.

To sum up…

Where a cold copy document can quickly become the basis of confusion and suspicion, a document with a few intelligent, relevant notes at the start is more likely to foster understanding and respect. Communication flourishes. Projects get signed off faster. Everybody wins.

That’s why including notes – where they’ll be helpful – has just become Radix policy.

At least, that’s what we agreed this morning in our Writers’ Meeting.

And now I’ve announced it in this blog post, for all our clients to read, so…

The who, what, when, and why of B2B messaging workshops

Updated: 4 June 2026

Any time someone writes or speaks for your brand, the words and messages they choose act as a direct reflection of your values, voice, and position in the market. That’s why it’s so important that those people are all singing from the same hymn sheet, whether they’re internal stakeholders or external partners.

So how do you bring everyone together?

Almost any time you encounter consistent and impactful marketing out in the wild, it’s because that work was put in long before the first words hit the page. If your marketing is based on clear, documented, and easily sharable messaging, and that messaging is available to everyone who needs it, then it’s easy to ensure alignment. And that’s the vital foundation a messaging workshop can help you create.

If you’re new to the idea, here’s a quick FAQ to get you started.

Q: Who should be involved in the workshop?

Inconsistent marketing often comes from misaligned opinions, and that’s actually pretty normal. You’re bound to have more than one person with views on what you should communicate to the market. And those views might vary significantly depending on their roles and priorities. The good thing about a workshop is that it brings all those people together in one room to share their views and reach a consensus.

Different people bring different – but equally valid – perspectives to a messaging workshop. A product manager will have a good idea of what’s interesting about the product. A salesperson or consultant will have great insight into the problems customers need help with. A marketing person may have the best knowledge of what competitors offer and how to stand apart from them. Each of these people will have a valuable contribution, but a consensus is often harder to reach if too many people are involved in a conversation. So, try and make sure each of these groups is represented without making life harder for yourself by inviting entire departments.

Q: Do we really need someone to run a workshop for us?

There’s nothing to stop you from running a messaging workshop internally, but the risk is that a lack of an external perspective can have you believing that what you want to say is the same thing as what your customers want (and need) to hear.

What the workshop needs is someone external to perform four functions:

  • Facilitate the session and tease out information that will form the messages
  • Mediate any differences of opinion
  • Challenge any messaging that seems self-serving rather than customer-focused
  • Provide a balanced, external perspective

When Radix runs a messaging workshop, those are the roles we play: facilitator, mediator, constructive critic, and impartial observer.

Q: What happens before the workshop?

Agencies and consultancies run messaging workshops differently, but here’s a rough guide to how Radix does it.

Leading up to the workshop, we’ll arrange a call to understand what you want to achieve and how you plan to use the resulting messaging. A workshop for a specific product may have a completely different goal from a workshop to reposition a brand, for example.

We’ll ask who you plan to invite to the session and what roles they’ll play. And we’ll ask who your main competitors are and whether you have customers we can interview, so we can gain insight into how your market perceives your brand, product, or service.

We’ll also ask about logistics, such as how much time everyone can commit – our standard workshop session is four hours, but we can make it longer or shorter – and which time zones the attendees will be in.

That gives us enough information to create and share an agenda for the workshop and start on our pre-workshop research.

For competitor research, we’ll analyse competitors’ websites to help us collectively determine any differentiators and USPs we can use during the workshop.

For customer research, we’ll ask you to set up short interviews with three or four of your business’s current customers. We’ll talk to those customers about why they chose you, their experience working with you or your product, and where they think your strengths and weaknesses lie.

We’ll present our findings from both of these exercises during the workshop.

Q: What happens in the workshop itself?

Our view is that you’re not creating messages in a vacuum; you want messages that resonate with your target audience.

So we’ll spend time exploring the following:

  • Who your target audience is, and what problems they’re trying to overcome.
  • Whether there are diverse audience personas who might respond to different messaging.
  • The different options your prospects have on the table, and what might spur them to choose your product or service.
  • What you’re selling, what it does, and how it’s better than your competitors’ offerings.

We’ll also press you for proof points: what evidence you have to back up what you’re saying.

Throughout these discussions, we’ll capture everyone’s comments to inform the first draft of your messaging framework.

Q: What’s a messaging framework?

This is the output of the workshop: a document that sets out your key messages for your brand or specific products or services.

The format of the document will vary depending on the scope of your messaging project, but typically it might include the following:

  • An introduction: What the document is for, how it can be used, and by whom.
  • A description of your target persona(s): The people who buy from you, what their responsibilities and motivations are, their buying triggers, and what they’re looking for in a solution or provider.
  • Your value proposition: A succinct summary of the value your brand, product, or service offers to its primary audience.
  • Key messages: The main things you want the audience to know (or feel) about your brand, product, or service. We can supply these as copy blocks you can paste directly into marketing, sales, and PR materials.
  • Supporting messages: Secondary messaging to support the key messages, also as copy blocks.
  • Proof points: Evidence that shows what you’re saying is true, rather than just telling. Things like customer testimonials, analyst quotes, and certifications.
  • Strapline options: Often used as part of the brand mark, the strapline is a concise, memorable expression of your value proposition. We’ll give you at least three options to choose from.
  • Elevator pitches: Hardworking pieces of copy that can be used in slide decks, “About Us” pages, press releases, and LinkedIn profiles to explain succinctly what the brand, product, or service is about. We provide 25-word, 50-word, and 100-word versions for use in different contexts.

Q: How do we finalise the messaging?

With so many contributors, it’s rare for everyone to be delighted with the first draft of the messaging. That’s why we allow for two rounds of edits to the messaging framework, to make sure everything you and your stakeholders want to say comes across.

We give you the time you need to review the first draft. Then we can address your feedback, or hop on a call if we think that will be a quicker route to getting things just right. You could bring your stakeholders to that meeting or collate their feedback in advance. Either way, we’ll take it all on board, ask you any additional questions, and produce a second draft.

The second draft should be very close to the final version. If it’s not quite there, we’ll apply another round of amends to get it ready for you to share with your marketing, sales, and PR teams. We’ll then deliver that final document as a PDF, Word, or PowerPoint – whichever works best for you.

Q: Sounds wonderful – but how much is all this going to cost?

Aha, the million-dollar (not literally, you’ll be relieved to read) question. We find that messaging projects tend to vary in scope, so we don’t have a standard price for one. one. But if you contact our team, we’ll talk you through your options.

And if you’d like to discuss a messaging project with us directly, call us on +44 (0)1326 373592 or email [email protected].

 

Podcast 59: writing email subject lines, B2B InTech 2018

Here’s a simple fact. Your B2B marketing email can be as good as you want, and if your subject line’s no good, nobody will read it.

But here’s where things get really meta… even if your subject line is brilliant, two thirds of your audience are still not going to open your email. That means, most of the time, the subject line and preview text is the only part that will reliably get read.

We tend to think of subject lines as a functional thing, just to get the email opened. But more often than not, they’re all the copy you’ve got.

In this episode of Good Copy, Bad Copy: The B2B Copywriting Podcast, we’re joined by senior copywriter and content lead Steve George, who’ll share:

  • His five go-to approaches for B2B email subject lines
  • How mobile usage is affecting subject line copywriting (in more ways than you think)
  • Why we might need to think differently about what a subject line is for
  • Whether his choice of hat makes a difference to voice and tone

You can also hear our special report from B2B InTech 2018, where we’ll recap favourite sessions, and talk to senior tech marketers, like Scott Stockwell of IBM’s Watson IoT and Malin Liden from SAP, about what they got out of the day.

Want to contact the show?

We want to hear from you. You’ll find us on Twitter… or feel free to send your thoughts, jokes, questions, suggestions, complaints or hat recommendations to [email protected] (better still, email us a voice memo).

Next month, we’ll be talking about what you can expect from a messaging workshop, and inducting the first member to our B2B Content Hall of Fame. 

 

Ways to listen…

You can download the episode here (right-click and “save-as” to download). Or stream the episode in the player at the top of the page.

(Or you can subscribe to the podcast on iTunes here. Alternatively, add our RSS to your preferred podcast player.)

 

Credits:

Thanks to Scott Stockwell, Sinead, Lukas, Laura Sutton, Malin Liden and Alysha Ferris for allowing David to interrupt your day, and speaking with such clarity.

Audio editing and music by Bang and Smash.