We’ve been reading: five useful posts for marketing copywriters

Fast Company – Upworthy’s Headlines Are Insufferable. Here’s Why You Click Anyway

You know the type of headline: You’ll Never Believe What Happened When This One Chicken Crossed This Particular Road. Upworthy headlines are some of the internet’s most clicked and liked, suggesting that the site has hit on a magic formula for attracting attention and piquing curiosity.

This Fast Company article decodes that formula and draws on a number of psychological theories to explain why people find Upworthy’s headlines so irresistible. It’s really useful stuff for any copywriters looking to uncover the secrets to why people click.

(Part of the reason for Upworthy’s success, indicated by one of the commenters to Fast Company’s post, is that they write 25 possible titles for each article – an approach apparently borrowed from The Onion – and relentlessly A/B test, giving them an incredible amount of insight into what kinds of headline work.)

Hubspot Inbound Blog – The 7 Worst Types of Headlines (And How to Fix Them)

One of the many people who find Upworthy-type headlines insufferable (but does she click anyway?) is Hubspot’s Ginny Soskey. In this post, Ginny picks out several examples of egregious approaches to headlines and explains why you really don’t want to be writing them that way.

It’s good, basic advice for headline writers – and bear in mind that almost every piece of advice about headlines can also be applied to email subject lines – and it mostly boils down to “don’t mislead people.” Beyond that, there are some good tips for writing a good headline and some sound links to further articles on the subject.

(With thanks to Hannah Forbes-George of Capture Communications for sharing this on LinkedIn.)

OkDork – Why Content Goes Viral: What Analyzing 100 Million Articles Taught Us

A fantastic article by Noah Kagan Henley Wing, founder of Buzzsumo.com, about the types of content that get shared most, backed up with some excellent data from BuzzSumo and substantiated by similar surveys conducted elsewhere.

While some of it is as you’d expect, there are plenty of surprises too. For example, we all know that people like to share list posts, but did you know that ‘Top 10’ lists outperform lists with any other number of elements? Or that ‘how-to’ posts aren’t as shareable as ‘why…’ posts?

And the biggest and most pleasant surprise for me: it turns out the type of content that gets shared most is long-form content (and I mean really long; we’re talking 3,000-10,000 words). We’ve said before that marketers shouldn’t abandon long-form content in favour of bite-size stuff, and here are the stats to prove it. As the post points out, fewer people are doing long-form, so there’s also less competition.

Harvard Business Review – The Indispensable Power of Story

‘Storytelling’ as a marketing buzzword seems to have taken a bit of backseat in the first few months of 2014, but this and the next article may point to a resurgence of interest in it.

One of the problems I’ve always had with the word ‘storytelling’ in marketing is that people’s interpretations of the word vary so wildly that it’s come to mean almost anything.

In this article, storytelling is taken to mean “using natural, human language to make an emotional connection”. There are some good basic pointers for marketers looking to make their content more personable, including a handy list of possible techniques: “anecdote, mnemonic, metaphor, storytelling, and analogy”, as well as some examples of the kind of ‘human story’ that interests the writer (a venture capitalist) in the companies he comes across.

Fusion Marketing Experience – The art of storytelling in 6 content marketing context questions

Storytelling is so much more than telling stories,” says J-P De Clerck, somewhat disconcertingly, in this lengthy attempt to describe how storytelling can make marketing content stronger.

Illustrated with quotes from content marketing greats like Ardath Albee, Lee Odden and Doug Kessler, the article gives a tantalising glimpse into what might be possible if we – marketers and copywriters – can get our storytelling right.

(For example: “It’s about making the story so compelling that it elevates perceptions of value and urgency resulting in more qualified leads and faster purchasing momentum.”)

It’s quite long on theory and quite short on practical advice – not to mention real-life examples, or, as you might call them, stories – but it does contain a good list of questions for content marketers to ponder as they seek to improve their storytelling skills.

As an added bonus, it also drew my attention to this fantastic Periodic Table of Storytelling by TV Tropes, which is well worth exploring.

I’m happy to see storytelling climbing back up the marketing agenda, but it would be nice to see more examples of great storytelling in action (especially in the B2B world). If you’ve seen any, let us know!

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Other posts you might like

Why everything you thought you knew about subject lines is wrong (maybe)

Storytelling in B2B: more than just beginning – middle – end

 

Radix Copycast Episode 16 – Can copywriters abandon Microsoft Word?

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eBooks, infographics, video scripts, scrolling sites: each year seems to increase the variety of B2B content types that need copy. Never before have designers and copywriters been brought so closely together (as discussed in episode 9).

Microsoft Word has been the copywriter’s tool of choice for decades, but is it up to the challenge of modern and increasingly digital copywriting?

I’m joined by Fiona to discuss whether Word still rules, or whether newer writing tools (desktop or cloud-based) are in a position to replace it as the must-have software for copywriters.

Listen now to find out:

  • What copywriters and their clients really need from a word-processing tool
  • Alternatives to Word: could Google Docs, LibreOffice or Scrivener ever rule the roost?
  • Format-specific apps: how do tools like Celtx, Final Draft and Balsamiq stack up?
  • How to bring designers, freelancers, agencies and stakeholders into the same happy fold

… and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Music by Industrial and Marine.

Radix Copycast Episode 17 – Storytelling in B2B, the final frontier

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This episode is an update to and complements episode 3 of the Radix Copycast.

Storytelling seems to be climbing back up the agenda in content marketing, judging by the number of blog posts and articles we’ve seen recently. But what exactly do we mean by storytelling in marketing, and what kind of storytelling techniques can copywriters adopt?

Fiona and I welcome back television comedy writer James Henry (Green Wing, Smack the Pony, Campus), to talk about the structure of classic storytelling and how it can be adapted for content marketing.

Listen now to find out:

  • What ‘storytelling’ actually means in B2B marketing
  • How to create believable, empathetic characters
  • What it means to break down a three-act structure into 60 seconds of video
  • Which of the seven basic plots can be easily applied to B2B marketing

… and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Music by Industrial and Marine.

*The stardate was calculated using this website.

Radix Copycast Episode 19 – Bringing comics to B2B marketing

Comics-in-B2B-marketing-header-v1It’s not just Hollywood that’s been finding uses for comic books in recent years. B2B brands have also been using comics, strips and books, to reach new and existing audiences.

In the past few years, we’ve seen B2B-focused companies like Google, Moz, MailChimp and others experiment with using comic books and strips as marketing content. On social platforms such as LinkedIn, business focused comic strips and single comic panels have been finding a new home. We’ve also seen an increase in visual note taking at conferences, where entire seminars are broken down into cartooned bits of information, as was seen at the recent Content Marketing World.

In this episode, Fiona and I examine the potential uses of comics in B2B marketing and give some tips on how you can go about creating your own comics.

Listen now to find out:

  • Which B2B brands are using comics
  • When to use comics in instead of infographics
  • What’s in a good business comic
  • How to write a script for a B2B comic

… and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Unsure how long a B2B comic should be? Then read this comic length guide.

Music by Industrial and Marine.

Radix Copycast Episode 20: Using emotion in B2B copy

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B2B and emotion aren’t often mentioned in the same sentence, but next month these strange bedfellows form the theme of the B2B Marketing conference.

And last year they were the subject of a major survey by CEB and Google, which revealed that emotion plays a surprisingly big role in B2B buying decisions.

So does this mean it’s time to start pulling on the heartstrings of B2B buyers? If so, how do you gauge when and where to get emotive in copy? And is it possible to take things too far?

Fiona is joined by David McGuire, MD of the B2B copywriting agency Lungfish, and associate writer here at Radix, to talk about why and how B2B marketers can best use emotion in marketing content.

Listen now to find out:

  • Why B2B marketing needs to get emotional
  • Which emotions marketers and copywriters should appeal to
  • How to bring more emotive language into your copy
  • Examples of B2B brands making great emotional connections
  • … and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Subscribe to our monthly newsletter for more copywriting tips and insights.

Music by Industrial and Marine.

Help – my client wants my copy to be “more sparkly”! What do I do?

We copywriters are sensitive souls. If you’re like me, your heart sinks when you’ve put a huge effort into writing something, only to have your client come back with seemingly-unhelpful feedback like It’s OK, but could you just make it a bit more sparkly?”

For “sparkly” you could also substitute “punchy”, “snappy”, “dynamic”, “energetic”, “vibrant”, “compelling” – or any of a huge number of adjectives that clients tend to use when they feel the existing copy isn’t up to scratch – but don’t quite know (or don’t have time) to articulate what needs to be changed.

(And before you get started, be sure to find out whether the client wants copyediting or a complete rewrite.)

So what does a client actually *mean* when they say they want your copy to be “more sparkly”? In my experience, it usually means you need to do one or more of these things:

1) Use shorter words and sentences

In B2B we’re usually promoting complex technologies and services that solve knotty business problems. That means we often end up writing very long sentences, using long, multi-syllabic words, to frame the business issue or to explain what the product or service does.

And while those sentences may be technically accurate, they’re not much fun to read.  When you only have a microsecond to get your reader’s attention, an opening gambit like: “In today’s difficult economic times, logistics managers are under increasing pressure to minimise transportation costs while ensuring faster order fulfilment times” isn’t really going to set pulses racing or leave your audience hungering for more.

It may be true, but it’s the kind of jargon-heavy, clichéd opening that a) has been written a thousand times before, and b) tries to say a lot of things in a short space, and consequently ends up saying nothing exciting or inspiring.

How to make it sparkle: Don’t try to say everything at once. Use shorter words and sentences. Pick a hot issue and lead with it. Talk to your audience directly (see tip 2 below). Appeal to their emotions. Make a bold statement. Lead with a question. Write in normal, conversational language. Lighten up a little bit!

Here’s a great example of sparkly copy from Xero, the cloud accounting system for small businesses:

Examples of content that sparkles img 1

Xero’s copywriters don’t waste time here telling business owners what they already know (“In today’s difficult economic times…”). They hit on a single issue (you need to see your cashflow in real time), use everyday conversational language to show how they help you do it, and add a bit of sparkle with three short, emotive adjectives, one of which is a little bit cheeky and unusual: “simple, smart and occasionally magical”.

BONUS TIP:  Most of us have been tempted at some point to start a sentence with “In today’s difficult economic times…” or a variant of it. My tip for overcoming this is: write it, then write what you were going to write after it, then go back and delete “In today’s difficult economic times”. I can guarantee your sentence will be shorter, less clichéd and will have exactly the same impact.

2) Write as though you’re talking to a real person

One of the big problems with B2B copy is that we often don’t have a clear idea of who we’re writing for. The brief may say that this ebook is for HR directors in midsize enterprises, but if you’ve never met an HR director from a midsize enterprise, it’s difficult to imagine what that person might be like. And if you can’t readily imagine them, it’s hard to know what makes them tick, or what tone to take with them. So more often than not, we’ll play it safe and use a formal, generic, “businessy” style, which doesn’t exactly fire wild enthusiasm in the heart of Debra Perkins, head of HR at Anyco.

How to make it sparkle: Get to know some real-life HR directors. If not in actual real life, then at least check out some LinkedIn Groups and see how they talk and what they talk about, read interviews in trade magazines or revisit some case study interviews.

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Check out LinkedIn Groups to see how real HR executives talk to one another.

If you have the time and the opportunity, get to know some HR directors in person, maybe by attending an industry event, chatting to a few people and paying attention to how people talk about their jobs, their aspirations and their frustrations. Then bring the tone, flavour and vocabulary of those real conversations back into your copy.  Rather than sounding like a corporate copy-bot, you’ll sound like a real human being, talking to other human beings about things that matter to them.

3) Use real-life examples

A lot of B2B copy is dull because it tells rather than shows. “Our end-to-end automation solution will significantly reduce your procure-to-pay cycle” is one way of talking about how good your software is, but it’s unlikely to have your audience springing from their swivel chairs in excitement.

How to make it sparkle: Cut the jargon and show what this means in the real world. “You can get new widgets on to your production line while your competitor is still looking around for a supplier”. Better still, use a real-life anecdote: “One company we worked with managed to claim £270,674 in early-payment discounts in the space of five months – more than covering the cost of the software.”

Showing, rather than telling – and using little stories to do so – is a great way to bring your copy to life and make it relevant and interesting to your audience.

Examples of content that sparkles img 2
Even dense, technical copy can be lightened up with real-world examples and anecdotes.

4) Use metaphors and visual imagery

Lots of us on the B2B side of copywriting – myself included – think of ourselves as “explainers”, skilled in translating complex technical ideas into plain, understandable language.

(For more on the different types of B2B copywriter, see our previous post).

The problem is that plain, down-to-earth language can lack sparkle because its aim is to clarify, not to entertain.  But in a world stuffed with B2B content, drier, more academic-style copy will no longer stand out – especially not at the top of the funnel where you’re looking to capture attention for the first time.

How to make it sparkle: A great skill for “explainer”-style copywriters to learn is using metaphor, simile, analogy, cultural references and visual imagery to add sparkle to copy. If you can show what you’re talking about through the use of an original metaphor, your copy will make a more immediate impact and stand out far more – especially if you can work hand in hand with a designer to reinforce the idea.

Examples of content that sparkles img 3
This ebook brings a cheeky infernal metaphor to what could otherwise be quite a staid topic.

In truth there are many ways to make your copy sparkle, and it always pays to look around and learn from the best. But hopefully these four tips will set you on the right path to producing sparkly copy your clients will love.

Need someone to make your copy sparkle?

We’ve a team of copywriters ready with glitter pots in hand, so get in touch with us today.

Radix Copycast Episode 23: What “intelligent content” means for B2B copywriters

 

Content marketing is on the move. The next stage in its evolution will be “intelligent” content, according to Joe Pulizzi of the Content Marketing Institute, and a host of other luminaries slated to speak at next month’s Intelligent Content Conference in San Francisco.

According to Noz Urbina, one of the leading lights of the intelligent content movement:

“We need to think of language at the level of “systems”, not words or pages. Intelligent content is free from format, rich in semantic and structural metadata, and automation-system-ready.”


It seems that intelligent content is content that adapts itself on the fly to the needs and wishes of the person consuming it. It’s guided partly by what the user is doing at the moment of consuming the content, partly by the device they’re using, and partly by what the content delivery platform already ‘knows’ about the user and what they’ve done previously.

What does it mean for writers?

For the people writing content that’s destined to be adaptive, we think it will lead to some big changes in mindset and approach.

As Noz Urbina says above, adaptive content is “free from format”. Writers can no longer assume their words will be consumed in a linear fashion, with the user starting at the beginning and following the writer’s narrative thread to the end. Instead, individual users will take different paths through the content, depending on where they are, what they’re doing and what they’re interested in.

The difference between writing traditional content and writing adaptive content may therefore be like the difference between writing a novel or screenplay, and writing a choose-your-own-adventure book or videogame. In all cases, there is a story, but in the latter formats, the user selects the narrative path, rather than the writer.

For more on the challenges we think intelligent/adaptive content will present for copywriters and B2B marketers, listen to the podcast as we discuss:

  • How copywriting practices and business models will need to change
  • How it will affect collaboration between writers, designers and marketers
  • Whether writing apps like MS Word are still fit for purpose
  • What you can do practise creating non-linear content
  • … and more!

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Alternatively: add our RSS to your preferred podcast player.

Music by Industrial and Marine.

Mentioned this episode

2014: The year social content dominated B2B technology marketing?

Radix Copycast Episode 24: Doug Kessler talks intelligent content and copywriting

B2B marketing has been going through a great many changes over the past three years, from the rise of content marketing to the adoption of marketing automation by many brands.

Today, 86% of B2B marketers use content marketing and 65% of information technology companies have adopted marketing automation.

But what about new technologies, and ways of producing and presenting content? Emily gives us the lowdown from this year’s Technology for Marketing & Advertising as regards new technology trends on show.

As we discussed in episode 23, intelligent content is a huge meteor that could be about to crash into content marketing – but many copywriters don’t even suspect it’s on its way.

So we’re delighted to have an interview with one of the B2B marketing sector’s top visionaries (not to mention one of its best copywriters and one of our favourite clients); the man that warned us about Crap: Doug Kessler, co-founder and Creative Director of Velocity Partners. In our exclusive interview, Doug shares his thoughts with us on intelligent content and what it means for B2B copywriters.

Listen now to find out:

  • Which marketing technology trends were on show at TFM&A 2015
  • Whether intelligent content will catch on in marketing organisations…
  • …and if so, whether it means copywriters will need to learn new skills
  • Six key B2B marketing takeaways from TFM&A
  • … and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Alternatively: add our RSS to your preferred podcast player.

Music by Industrial and Marine.

Useful links

6 not-so-surprising marketing lessons from TFM&A 2015

Intelligent Content Demystified: A Practical, Easy-to-Understand Explanation

How to write an ebook for a B2B audience

If you’re responsible for B2B marketing, you’ll probably have been asked at least once to write an ebook. And no wonder; they’re useful top-of-funnel and middle-of-funnel content pieces that can educate potential buyers about issues they’re not currently aware of, or to show them how to tackle an issue they are aware of.

But with so many ebooks competing for attention, how do you write a good one? Here’s a guide to help you produce a strong first draft.

What is an ebook?

Ebooks are often confused with B2B white papers – and that’s understandable. They’re both substantial, informative content pieces that sit in the middle of the funnel – where they’re occasionally gated for lead generation. John wrote a whole blog post about telling the difference, but in short an ebook is generally a little less detailed, with fewer words on the page (and they look prettier).

In B2B marketing terms, an ebook is usually around 2,000-2,500 words long, with artwork and graphical elements that break up the text. And the tone is usually lighter than a white paper: accessible, fun, and conversational, with snappy headlines and subheaders to introduce the key sections and points.

Three hallmarks of a great ebook

59% of companies created an ebook (or white paper) in 2022, so writing one that stands out from the crowd can be difficult. But it’s not impossible.

There are three things that characterise a great ebook – and only one of them is down to the writing itself.

Hallmark #1: Audience insight

The first hallmark of a great ebook – and any great B2B content piece – is that it shows an understanding of your audience, what matters to them, and what they need from your content.

To make an impact, the ebook should pack an emotional as well as a rational punch, and it’s hard to make an emotional connection with your reader if you don’t know who you’re writing for.

This is especially important if it’s a top-of-funnel ebook. Here, you’re trying to make your reader aware of a problem or opportunity they don’t currently know they have. To do that, you need to be able to relate your subject to something the audience does know and care about. That takes research, careful questioning of subject matter experts, and (ideally) a persona or avatar to work from.

Hallmark #2: Genuine usefulness

A great ebook also brings the reader useful, practical, actionable, and unique information they can’t get elsewhere, which genuinely helps them do something they want or need to do.

Ideally, this information should be so useful (and hard to find elsewhere) that the reader will feel compelled not just to act on it, but to share it too.

Getting to that level of usefulness and uniqueness is extremely hard, but if you can find your content “sweet spot” – the intersection of “information you have” and “information your audience needs” – it becomes easier to do.

ebook image diagram showing blue and yellow circles crossing in the middle to form a green segment

Hallmark #3: Great writing

The third and final hallmark of a great ebook is the writing itself. Reading it should be an enjoyable, enlightening, and inspiring experience – not a slog.

If you write as if you’re having a great conversation with your reader, about a subject you both care about, you can’t go far wrong.

How to approach the ebook project

At Radix, we have a process for writing a great ebook, which all of our writers follow. If you’re a marketer who has to write content, this could be a good process for you too.

  1. Read the brief. If you’ve been given a written brief, read it thoroughly and note anything you’re unsure of. Then have a call with your client to clarify those points. It’s always better to clarify upfront than to second-guess what the client meant and have to rewrite your draft when it turns out to have been wrong.
  2. Do your research. Your ebook needs to be convincing, which means you’ll need to include stats, figures, and quotes that support your argument. You should also interview subject matter experts to add credibility – these are the people who have the ‘sweet spot’ information that will make the ebook genuinely relevant and useful to your reader. Gather all the supporting information you think you’ll use in the ebook, so you won’t have to break off to look things up after you start writing.
  3. Write an outline. This is an essential part of getting the ebook right. It’s a chance for your client and stakeholders to review what you propose to write and make any corrections or suggestions before you go too far down the route of writing it. A section-by-section structure with bullet points is ideal: think of it as a synopsis document, as if you were pitching your ebook to an editor or literary agent.
  4. Write the first draft. Much of the legwork has now been done, so you should find it relatively easy to write the first draft. A word of caution, though: as you write, don’t be tempted to stray from the outline; it’s been approved, and it’s what you’ve agreed to deliver. Save any new ideas for another piece of content down the line.
  5. Review your first draft. If your deadline allows, don’t send the draft off to the client as soon as you finish it. If possible, ask someone else to take a look (they can even use our content review checklist checklist). Alternatively, put it aside for a few hours – ideally overnight – and come back to it with fresh eyes. You’ll almost certainly spot things that could be phrased better, and these relatively minor tweaks can go a long way to strengthening your first draft. (And the stronger the first draft, the less rework you’ll have to do later.)

Now let’s look at the writing itself. How should you actually write your first draft?

Writing the introduction

The introduction is a crucial part of the ebook. It’ll make people decide whether to keep reading – which you want them to do, because there’ll almost certainly be a call-to-action (CTA) coming that you want them to reach.

So what should a great intro do?

  1. Create an immediate rapport with the reader. The intro is where you show you understand your reader’s world, their professional goals, and their personal aspirations. You’ll mirror the language they use, and set their expectations for the rest of the ebook. (Will it be fun to read, for example, or will it be matter-of-fact but brimming with useful information?)
  2. Frame the problem – and your ebook as the solution. Articulate the main issue your ebook addresses, and clearly show how the ebook will help the reader overcome it. Right out of the gate, you need to make your reader aware that you have something important to tell them about something they care about, and that this ebook will help them to tackle the issue to their advantage.
  3. Define who will get value from the ebook. Showing you know who your audience is – both professionally and psychographically – allows the reader to decide whether the ebook is for them before you’ve taken up too much of their time.

For example: “This ebook is for contact centre managers in consumer-facing organisations who want to improve customer retention rates and aren’t afraid to try radical new ways of working.”

You could even use reverse psychology (respectfully rather than in a snarky way) by defining who won’t get value from it, such as: “This ebook is not for people who shy away from radical new ways of working.

  1. Make it clear what they’re going to learn. Every B2B decision-maker is busy – so they need to know your ebook is a worthwhile investment of their time. So use your intro to set out clearly what they’ll learn, and how they can use it to their advantage.
  2. (Optional:) Show the reader why they should listen to you. Generally, an ebook is not a hard-sell piece of content, so it’s not usually appropriate to go overboard with the sales pitch. But you do need to convince the reader your ebook has something credible and relevant to say. A brief statement about the client’s credentials in dealing with this topic can help to establish that authority and justify the reader’s time.

A good ebook introduction might go a bit like this, for example:

Introduction: The Problem with X

Your situation is like X today, and because of that, you’re not achieving Y. This ebook will show you how to escape X and achieve Y.

It’s for X type of person, working in X type of organisation, with aspirations to achieve Y and/or avoid being X.

Over the following xx sections, you will learn A, B, C, D, and E. You’ll be able to use this information to do Y.

Plus, it will be super fun. Let’s go!

[Optional box-out feature: This ebook distils our experience from helping 10,000 companies in this area to achieve Y over the last Z years. We hope you’ll find it useful.]

Writing the sections                                  

You’ll already have structured the individual sections of your ebook in your outline, so now it’s just a case of fleshing them out. Here are a few pointers to help:

  1. Make your sections roughly the same structure and word count. This will give all the sections equal weight of authority and make the ebook feel satisfying and professional. It’ll also help the designers to lay out each page consistently.
  2. Stick to your word count. A typical ebook is around 2,000-2,500 words, which probably only gives you 300-350 words per section. Get the key points across crisply and succinctly.
  3. Pay attention to headlines and subheads. Make them enticing and appealing. You want your reader to enjoy reading the ebook and feel like they’re chatting with someone who’s interested in them and telling them valuable stuff.
  4. Think about how your copy will look on the page. What design elements will there be? Are there elements of your copy that would work better as a visual or graphic? If so, provide basic suggestions for a designer to create the image. (PRO TIP: To help with this, some ebook copywriters like to write the copy as it will eventually be laid out – in landscape format with text boxes and spaces for graphics.)
  5. Bring your copy to life. Reading lots of abstract, theoretical stuff can be boring. Show how the point you’re making works in the real world and directly impacts the reader. Did your subject matter expert use nice analogies or catchy phrases to explain the topic? If so, work these in.
  6. Back up your points with credible statistics and quotes. You’ll have gathered these in the research stage, so all you need to do now is drop them in (don’t forget to attribute them to their original source). Suggesting pull quotes and breakout stat boxes can also give your designer plenty to play with to make the finished book look interesting and engaging.
  7. Link to other content pieces. If you (or your client) have produced other content relevant to any of your sections, include a link to it. Even if the reader doesn’t make it to the CTA at the end, your ebook can still provide value.
  8. Include a key takeaway or recommendation at the end of each section. What’s the one thing you want the reader to remember about this section? Make it easy for them to remember it!

Writing the summary

This is where you sum up the key points of your ebook in the form of a handy list that will help your reader to achieve Y or avoid X (refer back to the intro at this point).

If you’ve included takeaways throughout the ebook, you can list them again here, so your reader has a summary of the key points to remember. And if your ebook is designed to be actionable, including a checklist can work well.

A nice touch is to include links to further resources – either the client’s own content or (if you want to be really helpful) industry-wide content that adds relevant and interesting new perspectives on the topic you’ve discussed.

And if you haven’t already set out the client’s credentials in the topic area, there’s another chance to do that here.

Writing the call to action

In B2B tech, sales cycles can be long – so your ebook likely plays a specific role in guiding the reader along their “buyer journey”. To do this, your CTA at the end should encourage the reader to take a sensible next step – whether that’s to read another piece of content, book a demo, or get in touch.

You can measure the ebook’s value by the number of people who follow this CTA, which means you need to make it as persuasive as possible. So don’t leave writing this until you’re exhausted and can’t wait to type the final full stop.

Instead, write the CTA early on – ideally in your outline – and make sure you assess it thoroughly when you come back to your draft with fresh eyes before you send it off.

…and that’s it!

There’s much more we could say about ebooks – but this getting started guide is already approaching ebook-style length.

If you’re looking for help creating a really great ebook, find out more about our services or get in touch – we’re always happy to help!

Note: this blog post was originally written by Radix’s founder, Fiona Campbell-Howes, in 2015. It has since been updated to keep up with evolving practices among our ebook clients, and changes to our writing process.

Radix Copycast Episode 25: Creating truly useful B2B marketing content

 

Useful content is essential to good content marketing. It’s about giving away a bit of your expertise to help your audience do their job more easily or to make better decisions. The aim is to build an appreciative community of fans who will one day come to buy a product or service from you.

But in practice, useful content can be hard to create. It’s more than just a blog post that discusses a current industry trend or a SlideShare highlighting a specific issue. From ROI calculators and how-to guides to workbooks and checklists, useful content is content that actually, practically helps people do their job better. And getting it right means really getting to grips with what your audience needs.

In this episode, Fiona and I explore how to identify content ideas that are useful and how to go about writing them.

Listen now to find out:

  • The hallmarks of truly ‘useful’ content
  • What you can do to identify ideas for useful content that your audience wants
  • The best formats for useful content
  • Tips on writing useful content
  • … and more

Download the episode here (right-click and “save as” to download). Or listen in the player at the top of the page.

You can subscribe to the podcast on iTunes here.

Alternatively: add our RSS to your preferred podcast player.

Music by Industrial and Marine.

Useful links

Velocity’s B2B Content Marketing Strategy Checklist

fridaygirl.com’s Admin 101